Author Archives: djk

Hi Everyone,

Today we observe the twenty-year anniversary of David Mac’s death.  I just wanted to take the occasion to thank everyone who’s passed through the Fargo Planet site, dropped a note or a comment, or passed the link on to another interested Mac fan.  It is also an opportunity to remember that the opposite of death isn’t necessarily just life, it’s birth.  So bring something into existence today if you can.

I keep meaning to digitize and add more materials to Fargo Planet, but hopefully there’s enough here to keep your head bobbing and your kangol kitchen throbbing for now.   Thanks, everyone.

Peace,

DJ K

 

Commemoration

Introduction to Mediocre Rhyme Explosions, Volume 1

“I’ll never forget the first time I ever saw the Oral Anarchist David Mac.  It was a hot Fargo afternoon in the midst of the summer of 1983.  The sun went down on the searing asphalt creating a shroudlike silhouette of the skinny boy, dressed the nines in his trademark Fila sweatsuit and Bally loafers.  His breakdancing was flawless, each subtle movement recalling the nuanced grace of Nureyev or Baryshnikov.  A crowd had quickly formed in a crescent shaped throng, each spectator agape as Mac took on battle after battle, slicing and dicing all challengers into a hip-hopped mincemeat facsimile of their former pathetic selves.  It was then that I knew I had stumbled upon something unique, something unparallelled, something whose allure drew me in like an unsuspecting safari member in the quicksand of the central African jungle.  That was only the beginning, however.

Wiping a bead of hard-earned sweat from his brow, Mac swigged a quick dose of his 44 ounce Dew and sidled over.  Amazed, I stammered some piddling comment about his finesse, artfully combined with freighttrain-esque power.  And I’ll never forget the next words out of his mouth–“you think that’s hot??  You’d better check out these rhymes…”  Thus began a decade long partnership which has now culminated in this magnum opus — the quintessential rhythm explosions of the man known as David Mac.  Please — read and listen with a discerning ear as the rhymes enclosed here are sure to conjure up images in your cranium of the boombox toting warhead of hip hop mediocrity at his absolute finest.” — Introduction to Mediocre Rhyme Explosions, Volume 1, 1993.

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Envy the Dead

Envy the Dead was arguably our most fully realized work, the product of many paranoid months of sonic and political explorations coinciding with the legal and emotional blowback from the George Bush album.  Mac’s lyrics are at their best (I wish they were a little higher in the mix, so as to better showcase their complexity) and we were finding ways to push our sampler to its limits.  I’d like to think that this album pretty much speaks for itself.

Side One:

Side Two:

Puny

Puny — previously under the working titles Egg and Crazy Caterpillar — was under construction at the time of David Mac’s 1996 death and was never finished, save for relatively advanced drafts of the backing tracks.  Here they are.

Concentration Camp Muzak

1992 saw the appearance of two conjoined releases; in the process of recording the more conventional rap numbers for Envy the Dead, we found that we were taking a lot of pleasure in these instrumental tracks too, whether dancey or more meditative.  Thus was born the idea of a dual release; the latter cuts made up Concentration Camp Muzak.  Much of this was written and programmed at the Troost Palace in Kansas City; the recording and mixing happened at Studio K East in Pennsylvania, with the help of Handy Dan (so named for both his crash course in running a board and his ability to perform quick improvisational repairs on the VW bus that got us out there).  Dallas Poague contributed the cover art for this and for Envy the Dead.  Track listing is as indicated above.  Tracks follow.

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How I Killed George Bush

Recorded somewhere in KCMO during the hot summer of 1991, HIKGB was formative for the F-Kripz.  The Secret Service checked in on us for this one.  Musically speaking, we outsourced the production to Icy Roc and Frostbite — hence the distinctly different sound between this work and our others — and got some dusted guitar parts from a certain “Dr. Sweet Leaf.”  The album is perhaps more notable for its historical/biographical import than for its aesthetic qualities.  Nevertheless, a young David Mac had some creditable lines in here (and some probably best described as regrettable).

Following are a couple of the high points.

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Envy the Dead, Volume 4

Envy the Dead, Volume 4 was the last of the zines, and it was truly an epic undertaking.  Aside from the sheer amount of writing and collaging necessary to flesh out its loosely thematic content (much of it concerned with nuclear holocaust), an extended collating and stapling session around the dining room table — with a crew including Monsieur and the Slickery Eel — remains a memorable stage of its production.  Exhorting the reader, “for the sake of peace and stability in Central America…[to] stop the emerging women of country music from crossing over into hip-hop necrophilia,” this, the chunkiest ETD ever, weighed in at nearly 80 pages — not including the Fucksheet Five insert! — and offered “a most unpleasant, unpaginated sensory experience,” indeed.

Highlights of ETD4 include another ambitious Mac commentary — this time on the prospects for nuclear apocalypse (here, p. 13) — as well as some cracked Muzak reviews (p. 28) and one of my favorite pieces of ours, a co-written celebration of a fictional show by the mythic “performer” who went by the name of Gudding 2030 (9).  (We were going to take the name Gudding 2030 to replace that of F-Kripz on the Puny album, which was under construction at the time of Mac’s death.  Those songs never were released, but you can check out the initial mixes under the Puny category on the home page.)

I’m increasingly proud of some of the collage art in this one, too, though I must give Mac credit for the Manson-head-on-the-body-of-Too-Short combo in the opening pages.  His talented sister Janet contributed the back page.

 

 

 

 

Envy the Dead, Volume 3

Envy the Dead, Volume 3 was the first fully realized zine we produced (after a couple of crude attempts at the incunabular Fargo Planet).  We imagined it as a visual companion to the Spit release. It is notable mostly for Mac’s extended reflection on nanotechnology (beginning on page 7), tons of collage art (some of it in Mac’s increasingly hectic and abstract later style), and a typewritten rhyme that accompanies one of the live tracks on Spit (p. 19).

Fucksheet Five

Fucksheet Five functioned as a pull-out section of Envy the Dead zine #4, and included a self-reflexive commentary on zine culture as well as an abundance of short capsule reviews, all written by David Mac.  “Isn’t it more likely that zines are really, at absolute best, a very shallow form of actualization?” he wrote, concluding that “our purported development, distribution, and brain-absent backscratching all smell remarkably similar to the entrenched press stew from which we’re all supposedly on hunger strike.”

Meanwhile, Mac would pretty much review anything that came into our P.O. box, producing a true chronicle of the zine culture of the early 90s.